Uncle Odie's Collectibles

Sunday, October 24, 2010

In Loving Memory - Barbara Billingsley

 In Loving Memory - Barbara Billingsley
December 22, 1915 - October 16, 2010

Was an American film, television, voice and stage actress. She gained prominence in the 1950s movie The Careless Years, acting opposite Natalie Trundy, followed by her best–known role, that of June Cleaver on the television series Leave It to Beaver (1957–1963) and its sequel Still the Beaver (also known as The New Leave It to Beaver).
Billingsley was born Barbara Lillian Combes in Los Angeles, California in 1915, the youngest child of Anglo–American parents: patrolman Robert Collyer Combes (1891–1950)and his first wife, the former Lillian Agnes McLaughlin. She had one elder sibling, Elizabeth (1911–1992). Her parents divorced sometime before her fourth birthday, and her father, who later became an assistant chief of police, remarried. After her divorce, Lillian Combes went to work as a forelady at a knitting mill.
Billingsley fell in love with drama in the second grade, and during her years at George Washington High School in Los Angeles (now Washington Preparatory High School), she performed in all the school plays. Billingsley was voted "Class Queen". She graduated from George Washington in 1934.
Until 1941, the actress used the name Barbara Combes. After 1941, when she married her first husband, Glenn Billingsley, she used Barbara Billingsley.

After attending Los Angeles Junior College for one year, Billingsley traveled to Broadway, when Straw Hat, a revue in which she was appearing, attracted enough attention to send it to New York. When, after five days, the show closed, she took an apartment on 57th Street and went to work as a $60–a–week fashion model.  She also landed a contract with MGM Studios in 1945.
She usually had uncredited roles in major motion picture productions in the 1940s. These roles continued into the first half of the 1950s with The Bad and the Beautiful, Three Guys Named Mike, opposite Jane Wyman, as well as the sci-fi Story Invaders from Mars (1953). Her film experience led to roles on the sitcoms Professional Father (with Stephen Dunne and Beverly Washburn) and The Brothers as well as an appearance with David Niven on his anthology series Four Star Playhouse. In 1957, she guest starred in the episode "That Magazine" of the CBS sitcom Mr. Adams and Eve, starring Howard Duff and Ida Lupino. She co–starred opposite Dean Stockwell and Natalie Trundy in The Careless Years, which was her first and only major role in the movies.
In 1952, Billingsley had her first guest–starring role on an episode of The Abbott and Costello Show. The part led to other roles on The Lone Wolf, two episodes of City Detective, The Pride of the Family, Schlitz Playhouse of Stars, Letter to Loretta, General Electric Summer Originals, You Are There, Cavalcade of America, Panic!, Mr. Adams and Eve, The Love Boat, Silver Spoons, Parker Lewis Can't Lose, Mike Hammer, Empty Nest, among many others. She reprised her June Cleaver role three times, in Amazing Stories, Baby Boom and Roseanne. She also guest-starred on an episode of Make Room For Daddy, in which Thomas's character is a widower. The producers reportedly considered casting her as his second wife, but later decided against it, and Marjorie Lord eventually got the
Leave It to Beaver:
After Billingsley signed a contract with Universal Studios in 1957, she made her mark on TV as everyday mother June Cleaver on Leave It to Beaver, alongside other 1950s family sitcoms such as Father Knows Best, The Adventures of Ozzie and Harriet, Make Room For Daddy and The Donna Reed Show. It debuted on CBS in 1957, to mediocre ratings and was soon cancelled. However, the show moved to ABC the following year and stayed there for the next five seasons. The show was featured in over 100 countries. Also starring on Beaver were Hugh Beaumont, in the role of Ward Cleaver, June's husband and the kids' father, as well as child actors Tony Dow in the role of Wally Cleaver and Jerry Mathers as Theodore "Beaver" Cleaver.

In the show, Billingsley often could be seen doing household chores wearing pearls and earrings. The pearls, which in real-life were Billingsley's trademark, were in turn her idea to have her alter ego wear on television. The actress had what she termed "a hollow" on her neck and thought that wearing a strand of pearls would cover it up for the cameras. In later seasons, she started wearing high heels to compensate for the fact that the actors who played her sons were growing up and getting taller than she was Billingsley had one regret about the show's lasting success: residual payments ended after six reruns in standard 1950s actors' contracts.
"She was the ideal mother," Billingsley said of her character in 1997 in TV Guide. "Some people think she was weakish, but I don't. She was the love in that family. She set a good example for what a wife could be. I had two boys at home when I did the show. I think the character became kind of like me and vice versa. I've never known where one started and where one stopped." As for the idealized TV family on "Leave It to Beaver," which continues in reruns on cable more than half a century after its debut, Billingsley had her own explanation for the Cleavers' enduring appeal. "Good grief," she told TV Guide, "I think everybody would like a family like that. Wouldn't it be nice if you came home from school and there was Mom standing there with her little apron and cookies waiting?" Billingsley, however, did question her character's reactions to the Cleaver children's misbehavior, basing her concern on personal experience as the mother of two sons. As co-producer Joseph Connelly explained, "In scenes where she's mad at the boys, she's always coming over to us with the script and objecting. 'I don't see why June is so mad over what Beaver's done. I certainly wouldn't be.' As a result, many of Beaver's crimes have been rewritten into something really heinous like lying about them, in order to give his mother a strong motive for blowing her lady-like stack."

After six seasons and 234 episodes, the popular series was canceled due to the cast's desire to move on to other projects, especially Mathers, who retired from acting to enter his freshman year in high school. The younger actor considered Billingsley a mentor, second mother and a close professional friend: As I say, Barbara was always, though, a true role model for me. She was a great actress. And a lot of people, you know, when they see her talk jive talk, they always go she can do other things besides be a mom on Leave It to Beaver. And I tell them, Airplane! (1980), she's been a great comedian all her life. And in a lot of ways, just like All in the Family, we kind of stifled her, because her true talent didn't really come out in Leave it To Beaver. She was like the straight woman, but she has an awful lot of talent.  After the show's cancellation, Mathers remained her close friend for over 45 years. They were reunited on The New Leave It to Beaver. Billingsley, Mathers, Dow, Frank Bank and Ken Osmond also celebrated the show's 50th anniversary together.
After Beaver:
When production of the show ended in 1963, Billingsley had become typecast as saccharine sweet and had trouble obtaining acting jobs for years. She traveled extensively abroad until the late 1970s. After an absence of 17 years from the public eye (other than appearing in two episodes of The F.B.I. in 1971), Billingsley spoofed her wholesome image with a brief appearance in the comedy Airplane! (1980), as a passenger who could "speak jive". She became the voice of Nanny and The Little Train on Muppet Babies from 1984 to 1991.
Billingsley appeared with Robin Williams and Pam Dawber in a 1982 episode of Mork & Mindy. She appeared in a Leave It to Beaver reunion television movie entitled Still the Beaver in 1983. Hugh Beaumont had died the year before of a heart attack, so she played the widow. She also appeared in the subsequent revival of the series, The New Leave It to Beaver (1985–1989). In the 1997 film version of Leave It to Beaver, Billingsley played the character "Aunt Martha". In 1995, she appeared with other "TV Moms" on Roseanne. In 1998, she appeared on Candid Camera, along with June Lockhart and Isabel Sanford, as audience members in a spoof seminar on motherhood.
On October 4, 2007, she and her surviving castmates, Jerry Mathers, Tony Dow, Ken Osmond and Frank Bank, were reunited on ABC's Good Morning America, to  celebrate Leave It to Beaver's 50th anniversary. According to interviewer Tom  Bergeron, both of Billingsley's co-stars, Mathers and Osmond, currently get  financial advice from another co-star, Bank.
On May 6, 2008, hospitalized at Cedars-Sinai Medical Center, she was unable to attend the Academy Leonard Goldenson Theatre in North Hollywood, California,  where the Academy of Television Arts & Science presented "A Salute to TV Moms."  TV moms who attended the party were: Marjorie Lord, Holland Taylor, Bonnie  Franklin, Vicki Lawrence, Tichina Arnold, Cloris Leachman, Doris Roberts,  Diahann Carroll, Catherine Hicks and Meredith Baxter.

Sunday, October 17, 2010

Hollywood Auction #42

Hollywood Auction #42 to Benefit Variety Children's Charity - Profiles in History
(310) 859-7701
26901 Agoura Rd, Ste 150 Calabasas Hills, CA 91301

Saturday November 6, 2010 - 6:00 Pm PDT

The Globe Theatre at - Universal Studios
100 Universal City Plaza Dr. Building 5511-6
Universal City, CA 91608

Various Studios have donated items from Tron, G.I. Joe, Twilight, Transformers 2, Coraline and The Chronicles of Narnia to this auction. In addition Profiles is joining forces with The Michael J. Fox Foundation's Team Fox to raise funds to aid in Parkinson’s research.  Back to the Future creator Bob Gale has donated items from his personal collection to the auction.

The auction continues with some great items from Syfy’s Warehouse 13, Eureka and Caprica, as well as a wonderful offering of original props and set pieces from Stargate SG-1.

The auction concludes with an amazing offering of items including:

A hero K.I.T.T. car from Knight Rider, an original Golden Ticket from Willy Wonka & the Chocolate Factory (1971), one the highest CGC graded unrestored copies of Superman Comics #1 known to exist, original 1943 Bob Kane “Batman” comic strip art, an animatronic ‘Daffy’ puppet from Gremlins 2, original Eyvind Earle art from Sleeping Beauty, original production animation cels from The Beatles’ Yellow Submarine, and a Star Wars poster signed by six principle cast members, to name just a few of the 152 items being sold.